![]() ![]() Hitchcock was (and still is today) a constant point of reference the lecture It was a time of my life when I was stillĮxcitedly discovering (and applying) the film theory, “structuralist semiotics”Īnd textual analysis protocols bequeathed by the 1960s & ‘70s, areas where Served as a tutor in Rob Jordan’s 1 st year film course, which I have no definite memory or record of whenĪnd where the following talk on Shadow of a Doubt (combined here with a preceding introductory lecture) was delivered,īut I suspect it may have been at RMIT during 1981, during the time that I In that period, my lecture commissionsĬovered a curious random assortment of films, including Tout va bien (1972), Picnic at Hanging Rock (1975), The Mother and the Whore (1973), Angel City (1976), and Rear ![]() Institute of Technology, and Swinburne Technical College – all these names ![]() Gave my first, occasional, invited lectures in cinema courses at threeĭifferent tertiary institutions (Melbourne State College, Royal Melbourne Introduction (January 2021): Between 19 – and the ages of 19 and 21 – I ![]()
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